I’ll be honest, I originally meant to write this as a small piece for my own personal sideblog. I kept putting off writing it – mainly because a lot of my attention was focused on Retronaissance and usually I only end up writing stuff on my sideblog when I’m feeling particularly passionate, a feeling that fades quickly. It didn’t help that the concept seemed to fit equally well with both forums: the topic did revolve around topics I’d long since discussed on Retronaissance, but I felt more comfortable discussing it with much less tact than I typically employ on here. It doesn’t help that I feel like I spend enough time talking about PC ports on here in the first place, with my various wishlists – finally figured out the subject of August’s, by the way – providing the bulk of my discussion on the subject. After all, superstition or not, a lot of the games I’ve listed have managed to make their way on PC, in one way or another. I ended up discussing the topic with other contributors to this blog, who were in favor of me putting it here, but my indecision gave me cold feet, which led me to avoid writing the article altogether. Eventually, the concept began to grow – I thought up various other ideas that I decided to add to the original concept – and by that point, it became clear: Any Port in a Storm had become a perfect candidate for an article on Retronaissance. Just keep in mind that my more refined writing style might fall by the wayside at times.
While I’ll admit that I have pretty much had an on-again, off-again relationship with PC gaming from the time I first got into video games, my love of console-focused games has meant that I’ve had a nearly equally long interest in the concept of PC ports. Even from the beginning, the concept of “bad ports” (Street Fighter II) and “good ports” (the first 3 Mortal Kombat games and X-Men: Children of the Atom) were something I could at least acknowledge, albeit starting with a mere gut feeling as opposed to something I could quantify objectively. PC ports have, by and large, come a long way from the 1990s, but even today, there’s no way to guarantee a port’s quality. Some ports manage to exceed the quality of the original source material, creating a truly definitive version of the game, while others are NIS America’s PC port of Ys VIII: Lacrimosa of Dana: disasters at launch that may or may not ever be fixed to the point of working properly.
Of course, these days, it’s much easier to find quality ports in an ever-declining sea of garbage. Resources like the PC Gaming Wiki not only point out which games are quality ports, they also make recommendations for fixes on both older and poorly-made games which makes it a truly indispensable resource for PC gamers, especially those new to the medium. The real problem is still quantifying the quality of the ports themselves. As I said, some great games are maligned with terrible ports to this day, while games ranging from mediocre to outright bad will end up with amazing ports that even manage to fix problems with the original releases themselves, effectively enshrining a piece of kusoge in a fashion befitting a masterpiece.
In the end, I’ve decided to use a much-maligned concept long associated with the ills of gaming journalism for my own purposes: the “four-point scale”, a means of rating games from good to excellent. I’ll keep my criticisms on this scale brief: it’s effectively turned any score below a 9 into a dire insult and had the unfortunate consequence of causing certain people (myself, for example) to seek out games that manage to break the scale, earning scores of 6 and below, whether out of curiosity, bile fascination or some inconsequential way of “sticking it to the man”. You know, by paying some other “the man” to play crappy games. Could that have been their plan all along?
The thing is, when it comes to PC ports, the four-point scale works out perfectly. There is a definite base level of quality that people should expect in their ports, a bar that has risen continuously throughout the years. Better still, the types of ports that would receive 7s and 8s would easily have the most discerning PC gamers turning up their noses in disgust, so the unintended consequence of diluting the perceived quality of these grades would be a feature, not a bug. After all, if you don’t like these ports, well… that’s what good’s for.
7.0 – Console Parity (or Is It Parody?)
Let’s start with the bottom of the barrel and work our way up, shall we? If there’s one good thing about ports that fall into the 7 score, it’s that these days, they’re rare. Clearly many developers, porting companies and especially publishers have learned that ports of that caliber are no longer acceptable to most consumers. The only real question is, why was they ever considered worthy of release in the first place.
At this point in time, the majority of the ports I’d classify as 7s came out at least a decade ago but considering the fact that so many of them are still available for purchase on Steam and various other digital storefronts, I think it’s still fair to make reference to them. At one point, ports in this style would’ve been considered the cream of the crop, but when you look at the history of PC ports overall, it’s understandable. If we were to consider the history of console games ported to PC like an evolutionary line, then the 7’s closest equivalent would clearly be either the Cro Magnon or the Neanderthal compared to the other scores’ Modern Man. When they first appeared on the scene, they were clearly impressive and best suited for survival, but at this point, they’re clearly too primitive to be considered a quality product.
But enough stalling, what defines a 7 on my little four-point scale? Quite simply, a perfect 1:1 port of the console version. Now you’re probably thinking, “But Icepick! Isn’t that what a port is supposed to be?” To which I say, feh! The problem stems from the hardware itself. Despite my posturing about how most modern consoles are just crippled PCs in the first place, their underlying operating systems are still different from one another. Consoles generally focus most (if not all) of their resources into games, while PCs run various other processes in the background at all times. As such, most console games are designed to take advantage of this focus, effectively pushing the entire platform’s resources into the game itself. Try that on a PC and you end up with a port with ridiculously high minimum specifications. Not to mention the recommended specs needed to play the game properly.
That’s to say nothing of the lack of features that PC gamers have come to take for granted these days. Fully-programmable controls, not to mention mouse and keyboard support – I’m not going to judge, but there are more than a small number of PC gamers who swear by them for literally any type of game – future-proofed support for higher resolutions, graphical filters, adjustable frame rates and the ability to switch between full-screen and windowed mode easily. Quite simply, 7-ranked ports completely lack the scalability associated with PC games, forcing a concrete cut-off on the kind of hardware capable of running the games themselves, drawing a very distinct line in the sand.
Aside from that, 7 ports are generally good ports. Not simply “good” in the scale from good to excellent, but rather they are proper approximations of the original experience. In the end, they have potential. Fixes, whether official or fan-made, can easily rectify many of the issues involved in these “low-grade” ports. One such example would be Inti Creates’ Azure Striker Gunvolt. When the game was first ported to Steam, it was in an incredibly rough state, but now? It’s on par with the recent Switch release as of an update that came out of the blue last month. This is why they fall at the far end of my four-point scale for PC ports that are acceptable. Clearly, they have their issues, but they are still generally competent to perhaps the most important degree of an PC port: recreating the console game accurately. Having said that, most if not all PC gamers at this point would turn their noses up at a modern port of this caliber. Unless I’m absolutely desperate to play the game in question, I’d be equally dissuaded from picking it up. Buyer beware and all that.
Supplement: 7.5 – Pick Your Poison
Of course, that’s not to say that the spirit of 7-grade ports doesn’t live on to this day. Their modern-day equivalents are clearly superior to true 7s, but they still find themselves slacking against the competition. I’ll just refer to them as “7.5s” to make things simpler: after all, they’re better than a 7, but still not quite on par with an 8.
There are two major differences between 7s and 7.5s. First, while 7s aren’t optimized at all, 7.5s are generally just poorly optimized. Not exactly significant, but it’s a step forward. On top of that, 7.5s also usually include at least a few of those expected features I mentioned earlier. Not all of them make it – generally most companies tend to aim for at least partial keyboard support and windowed mode – but a few core features are still better than none.
With that being said, 7.5s are generally held to the same standard as their ancestors. Examples of 7.5s that I’m personally familiar with include Mortal Kombat: Komplete Edition and Injustice: Gods Among Us – both handled by High Voltage Studios, a company which should set off alarm bells in any knowledgeable PC gamer’s head until proven otherwise. These ports are poorly optimized, effectively requiring specs twice as strong as recommended to run them properly and have their fair share of issues, but all-in-all, they’re effectively reasonable facsimiles of the original console versions. Their Mortal Kombat X port managed to be even worse than those two, to the extent where Warner Bros. had to hire the good people at QLOC to fix it for the XL update.
8.0 – The Bare Minimum
Now I can probably guess what’s going through your mind when you’re looking at this header. “But Icepick! You were saying that 8 were so much better than 7s and 7s were the lowest score you’d consider! How can 8s be ‘the bare minimum’?” Well, I’m glad you asked, hypothetical reader. Put simply, to the majority of PC gamers, a port that would score an 8 on this scale is quite literally, the bare minimum of what would be expected in a PC port. 7s are detritus that should, in all honesty, never occur again. 7.5s are outright abominations. But an 8? Well, all but the most discerning PC gamers – which, to be fair, is still probably half of them altogether – would at least consider these ports. The 8 is quite simply a bronze medal, the third-place award – compared to the participant ribbons that I’d associate with 7s and 7.5s. In a perfect world, every company working on a PC port should be aiming for a solid 8.
If there’s any point where the four-point scale metaphor begins to falter, it would have to be on 8. Considering the whole Twilight Princess debacle – for the handful of people reading this who don’t know what I’m talking about, the game scored an 8.8 out of 10 on Gamespot and it started a major backlash – 8s are generally considered bad scores, by the virtue of being lower than a 9. Personally, I tend to gravitate more towards 8s and 9s when it comes to review scores: 10s just often feel too good to be true. Then again, maybe that’s just me. I’m the kind of person who enjoys eating at Taco Bell, because I consider it “Tex-Mex-themed fast food” as opposed to “authentic Mexican cuisine”, which honestly has to be near the top of my personal list of the 10 stupidest opinions in all of human history. A game that scores an 8 has the chance to impress me by surprise, but a perfect score rarely lives up to its own lofty expectations in my eyes. Blame it on my susceptibility to hype backlash and the fact that my tastes don’t often align with critics in general.
Basically, the main thing elevating an 8-grade port over its inferiors is the fact that it feels much more like a PC game. The game is properly optimized to some extent, effectively meaning that current-gen games will run on systems with equivalent specs, as opposed to requiring top-of-the-line components. Keyboard and mouse support is a given and graphical options allow weaker PCs to run the game, while more powerful computers can enhance their experiences with filters and other improvements. Put simply, all of those features that I said were missing from ports I’d score at 7? All present and accounted for in the prototypical 8 port, and with no impact on the quality of the port itself.
Of course, you’re probably thinking “But Icepick! Why is this so low on the scale? This sounds like exactly what you’d want in the first place!” And honestly, that’s a fair assertion. The weakness regarding a port that scores an 8 is admittedly petty, but still relatively practical. 8s generally take all of their assets directly from the console version with no improvements. Now that sounds excellent on the surface, but the problem is that 8 ports aren’t entirely future proof. As time goes on, computers will come out with higher graphical resolutions, improved audio quality and more powerful processors: it’s an inevitability. Remember how great SNES and Genesis games looked at the time? Think about how they look when played at modern resolutions. They either take up a minute fraction of the screen or get blown up to the extent where you can easily count every individual pixel on the screen. A similar fate awaits ports that score an 8 at some undetermined point in the future. It’s nothing personal, they’re just the consequences of the continued march of time. Fortunately, in many cases, enterprising fans have found workarounds that will keep ports of this quality looking good for years to come.
The main example I can think of when it comes to an 8 port would have to be XSEED’s recent PC port of Ys SEVEN. The game was severely hampered by the fact that it was only released on the PlayStation Portable previously. XSEED wanted to keep the various art assets as close to the originals as possible, but due to the small resolution on the game’s textures, the game is locked at a relatively low maximum resolution compared to most games that were released around the same time.
Supplement: Late Ports, Buggy Ports and Both
This section right here? It’s what convinced me to turn this article into more than a simple blogpost. Now it only seems fair to cite my inspirations for this particular aside: NIS America’s disasterpiece of a PC port for Falcom’s exquisite Ys VIII: Lacrimosa of Dana. After being delayed multiple times over the course of seven months, when Ys VIII finally launched on PC, the port was an absolute mess. It was so bad, that it was the first Falcom game to not receive a Positive review score on Steam – and it’s not even the first release to come from a company other than fan favorite XSEED. Originally the backlash was so severe, its overall review score was at an unprecedented “Mostly Negative”, but since then it’s settled on “Mixed”.
Why did this happen? Honestly, seeing anything lower than a Mixed score is rare on Steam in general, but why exactly did things drop so low in the first place? To properly understand how this backlash worked, you have to understand the common viewpoint of how PC gamers view two specific types of release issues when it comes to ports. Specifically, ports that launch significantly later than their console counterparts and ports that launch in such a buggy state, that they’re literally unplayable.
When it comes to late ports, PC gamers are generally understanding. I’d liken it to waking up with a dry, scratchy throat or clogged sinuses – unpleasant, but nothing out of the ordinary. Hell, I’ve written a whole series of posts outright begging for ports that couldn’t be anything but late. To misuse some baseball terminology, a late port is effectively like a foul ball: it’s a strike against the game’s reception but not one that will outright dismiss it. It all depends on various factors. For starters, how long the gap between the initial release and the PC port is. I’d say that if it launches within three months of the original – and the time between releases was spent properly optimizing the game and fixing bugs instead of, oh I don’t know, adding in intrusive DRM that actively sabotages the game’s performance at the last minute – it’s generally fine. Don’t think I forgot about what you did to Sonic Mania, Sega. I’ll never forget.
If it takes longer than that to release the game on PC, there are other ways to sweeten the pot. Release the game at a mild discount: most console games are generally sold at a discount after a few months anyway. Failing that, include any DLC that has come out in the base package. Honestly, I welcome late ports when they do this: it’s like getting a “Game of the Year” edition from the start! As long as you’re not selling the base game at the launch price six months after the fact, you should be golden.
Ports that are buggy at launch are a different story. Generally, if they come out at the same time as their console counterparts, bugs are expected but not welcome. Going back to the baseball metaphor, a bug-ridden port is a strike, swing and a miss, pure and simple. Launching in an unplayable state is a far worse blow to a game’s reputation than running late – feel free to add in that overused Miyamoto quote if you need to – but the thing about a buggy release is that, the bugs can be fixed. If the developers behind the port remain vigilant and try to iron out all of the game’s issues, its reputation can rebound. Lowering the price (even temporarily) in conjunction with the overhaul doesn’t hurt either.
Which brings us to the ultimate question: what happens when a late port is unplayable on a significant number of systems? Well, widespread backlash. The only acceptable reason for late ports to begin with is to allow for proper bugfixes. Take that promise away and replace it with a port that doesn’t even work and you’d have to wonder what compelled them to release it in that state to begin with. It’s a complete erosion of any and all good will and it will take time to repair the damage done to a company’s reputation when they decide to release something in such a rough state without a quick release to justify it.
As I mentioned before, Ys VIII’s troubled PC version was what inspired me to think about this in the first place. Since then, NISA’s been slowly but surely improving the quality of the port, but it’s still far from acceptable: only those who decided to sacrifice their hard-earned money and kept their barely functional copies of Ys VIII act as the canary in the coalmine, while most of Falcom’s more discerning PC fanbase are waiting for the all-clear. Me personally? I never played the previous game – Memories of Celceta – and since that’s had a PC port announced for release sometime this summer, I’m content to wait for the all-clear. I have to wonder: is NIS America fixing up this port in an effort to repair their disastrous first effort or did the Japanese games media’s reports on this whole debacle send Falcom back into action, like they did with the game’s initial translation? I suppose we’ll never know for sure.
9.0 – The Gold Standard
Ideally, every PC port should end up with roughly a 9 score. Unfortunately, making a 9-caliber PC port isn’t quite as practical as aiming for an 8, especially with older games. In fact, despite their perceived gulf in quality, the difference from 8s to 9s aren’t nearly as different as 7s (and 7.5s) to 8s.
I’m not going to lie though, this is where things might get a little tricky. While I said that 8s were more akin to bronze medals in the grand scheme of things, I’ve also designated 9s as “the gold standard”. This begs the question: what would count as a silver-class port? I’d argue that in terms of my own personal scale, 8s would act as a silver ranking, compared to 7/7.5’s bronze. However, when talking about the general reception of ports by the PC gaming community at large, 8s would certainly be considered a bronze, while 7s are nothing more than cautionary relics of bygone eras and 7.5s are abominations that have no reason to exist at all. I suppose silver is redundant when considering PC ports, which are generally either categorized as “good” or “bad” in the first place. 7.5s and anything lower would be considered bad, 8s are merely “acceptable” – effectively serving as a border – and 9s would easily make up the bulk of the “good” category.
But what differentiates an 8 from a 9 in the first place? Remember how I mentioned earlier that a 8-scored port is susceptible to becoming outdated in lieu of advances in gaming technology? 9s are essentially future-proofed in that regard. Using higher-quality graphical and audio assets compared to the original console releases, 9s would no longer be tethered to the limitations of the original work. In that sense, ports of this quality wouldn’t even feel like ports, they’d feel like games that were originally designed for the PC in the first place. On top of that, ports of this quality generally allow for specifications not yet possible on a majority of systems, effectively allowing for screen resolutions that are either rare or non-existent when the port is first released. Likewise, these ports would also be capable of running on weaker systems, effectively allowing for the entire experience to be perfectly scaled for a majority of current PCs.
To put it in terms that console gamers may more easily understand, imagine a game that you could play on both models of the PS4, the PS3 and the Vita – each with their own unique framerates, resolutions and other flourishes to allow each version to produce a definitive experience, while allowing the more powerful consoles to showcase their additional power compared to older models. Sure, crossplay makes this sound outright mundane, but imagine if it were possible with a single download, as opposed to multiple unique versions, each designed from the ground up with their distinct platform in mind. Hell, in some cases, you’re able to play recent games using PCs with specs on par with the PlayStation 2. Imagine playing a brand-new PS4 game on a system from 2000!
Put simply, ports I’d categorize as 9s are essentially perfect. You’re probably wonder what separates them from 10s. To be honest, it’s far too difficult for me to discuss what ports that would be categorized as 9s lack compared to one that would score a perfect 10 in my eyes. It’ll be much easier to describe in the context of talking about 10s in general. As for examples, XSEED’s recent Trails of Cold Steel ports were considered an extreme improvement over the original PS3 versions. Likewise, Sega and Platinum’s recent ports of Bayonetta and Vanquish are considered the definitive versions.
Thesis: The GOG Equation
One last quick aside before I discuss my take on what defines a perfect score. Frankly, I’ve been falling more and more in love with Good Old Games since I wrote that wishlist last August. Turns out I’m not alone: after a debacle which has left the future of several games on Steam in question, MangaGamer has partnered with GOG to finally bring various high-profile visual novels to their service.
It’s baffled me just how little support GOG seems to receive from a lot of major publishers. While my main prong of attack has been on focusing on making wishlists for old ports to resurface on their service, I’ve also found it kind of weird that a lot of companies seem to drag their feet on releasing more contemporary titles on the service. The weirdest part is when some companies release a few modern games on GOG, but not their entire library. The most notable example of this I can think of is Capcom who, as of right now, have only released their old PC port of Street Fighter Alpha 2 from 1997 and 2016’s PC port of Dragon’s Dogma: Dark Arisen on GOG so far. To make matters weirder, Dragon’s Dogma was released at about the same time as the Steam release.
It just strikes me as weird that so many companies refuse to support GOG, which is essentially the second biggest digital marketplace for PC games, simply based on the fact that they’re the only major one that doesn’t sell Steam keys. There’s a significant demographic of PC gamers that refuse to buy games with any form of DRM – and as beneficial as it has been, Steam is still DRM software – that generally buy games from GOG and other DRM-free stores for that reason. Meanwhile, you’ll see games sold at extreme discounts – I’ve seen games sell at 80% off the standard price – regularly on Steam. It doesn’t hurt that GOG boasts about having “crossplay” with various Steamworks games.
It honestly occurred to me at random one day, that there ought to be some sort of equation for determining when a company should just swallow their pride and release their game on GOG – and Humble Store, I guess, but mostly GOG. I think I’ve come up with a fairly reasonable way to look at it. If a publisher decides to sell one of their games with at least a 50% discount on a regular basis (let’s say, every time there’s a major sale), then I think it’s time to consider dropping Steam exclusivity and making the game available on other marketplaces. The same could be said for games that are sold at a 75% or higher discount – that is, a quarter of the standard price – even once. At that point, it just seems like publishers are desperate to make sales in the first place, so selling to the niche-within-a-niche market that buys exclusively on GOG – or even weirder, the people who are willing to buy games a second time on there – seems like a sure bet to make some extra money.
I understand the argument that a lot of people tend to make: that DRM-free sites encourage piracy. But honestly? Steam’s DRM is easy enough to crack and any additional forms of DRM – even the supposed piracy-killer Denuvo – just seem to act more as a challenge for pirates instead of a deterrent, effectively punishing paying customers more than the people cracking the game for free. Couple that with the fact that the EU withheld a study that proved that piracy doesn’t actually hurt media sales (aside from movie tickets) and there’s really no justification to avoid selling stuff on GOG, unless Valve paid for some kind of exclusivity, which would honestly impress me, considering the hands-off approach they’ve seemed to take running Steam for the past five or so years.
The Perfect 10 – An Abstract Concept
I mentioned earlier that I have an innate distrust of perfect scores. Frankly, the idea of perfection just seems like it should be reserved for purely objective observations, quite the opposite from any and all reviews. When it comes to media, my apprehension becomes a little more pronounced. By definition, a perfect game – even a game simply considered the perfect representation of its genre – should be one that can never be surpassed. The ideal game, a game which should sate any gamer for the rest of their days. No game that has scored perfect 10s across the board has come even remotely close to engrossing me to that extent. As such, I don’t really trust the concept in general: no game – not even one that scores a perfect 10 in every publication, past, present and future – can be perfect.
Which begs the question: what differentiates a 9-grade PC port from a perfect 10? Objectively, absolutely nothing. I already pointed out that a PC port that would score a 9.0 is the gold standard, a port that improves upon its source material, effectively creating a definitive release. As the entire concept of a perfect score is even more subjective than the scale it inhabits, it only seems fair that my take on what consists a perfect score should be equally as subjective.
Enough stalling, my criteria for what separates the crème de la crème is actually fairly subjective. Essentially, a perfect 10 PC port would be of a quality so recognizable, that console gamers effectively want that version ported back to consoles down the line. Or, better still, a case where a PC port works out so well, that publishers themselves decide that it’s worth using said PC version as the basis for any and all re-releases down the line. At the very least, the next batch would be based on the PC port.
I understand just how petty and small that comes across, that for a PC port to be considered ideal, its quality must be recognized outside our niche. However, all things considered, I can’t think of a better criterion of quality than acknowledgement from outside our own field. When you think about it, internal rankings all fall victim to some measure of subjectivity. We all play favorites. But the green-eyed pining of console gamers, hissing jealously at our long-awaited prize, a shinier toy than the one they’ve had for so long? That’s an objective measure: only the most short-sighted console gamers – so, again, roughly half – would even bother caring about a PC port unless it was clearly superior to their version. As for the publishers themselves, PC versions may be easier to port back to consoles again down the line (especially these days), but usually they’ll add some attempt at new flourishes from generation to generation. If it’s a straight port of the existing PC version though, that implies that they’ve perfected their craft.
Thus far, I’ve tried giving you an example of what I would consider a perfect example of each of these ports and I don’t intend to fail you on the perfect 10. Ultra Street Fighter IV started with a rocky release – mainly owed to switching their online matchmaking from using the defunct Games for Windows Live service to Steamworks – but eventually managed to become the definitive version, serving as the basis for a subsequent re-release on the PS4 (which itself had unrelated issues with optimization for months). QLOC outdid themselves on USF4 and have essentially earned their place as my pick for the best PC porting studio of all-time. If someone from any company stumbles upon this article and takes one thing away from it, hire QLOC to port your games to PC. You won’t regret it.
So that brings us to the end of this little experiment. I’ll be honest, as much as I claim to have amassed a great deal of knowledge about PC gaming since migrating back to it around the end of the last console generation, I still consider myself a journeyman. It seems like every day, I learn something new about this platform. Ports and original games I missed out on in my early days of PC gaming and during my time on consoles, releases that were once considered abominations being polished to perfection, even new mods for games that I wouldn’t have expected mods on in the first place. Maybe that’s part of the reason I’ve taken to PC gaming again as much as I have: it’s such a vast environment, it’s pretty much got something for everyone. And for those of you that love my little wishlists: don’t worry, August’s not that far away.