The state of gaming goes up and down, the state of everything does. As much as I love the idea of the Earn Your Happy Ending trope, it’s obvious that in real life, nothing is ever stuck in a permanent state, positive or negative. But that’s not an easy thing to accept. After Nintendo, platformers, linearity, and 2D games made a comeback in the seventh generation, especially the second half, I desperately wanted to keep what we had gotten back. But even though the game releases in 2013 were incredible, it was clear that night was on the horizon. While trying to convince myself it wasn’t happening, I saw what I loved in gaming go into free fall from 2013-2016. Sure, there were still good and even great games released, but fewer and fewer ones that were what I really wanted. No matter how much I wanted things to freeze the way they were, that didn’t happen and a mix of denial and gloom descended over me (considering how the internet reacts to everything, I have no way of telling if this happened to other people or if that’s just how the gaming community would have reacted anyway).
But you know the good thing about nothing staying the same? After enough time, things also get better. As some of my previous article this years have shown, I’ve seen some very positive developments and trends this year for gaming, especially parts of it that I care about which were slumping in previous years (Japanese games, Nintendo). Even before this year started, the announced games gave me a feeling of true optimism for the first time in years (see my part of the 2017 top 10 lists). While not every game on that list delivered or is making it out this year (same as every year we’ve done those lists), those are more than made up for by both ones that personally surprised me and that were surprise announcements made after the year had started. 2017 for me has made gaming a phoenix rising out of the ashes, both in releases and announcements for 2018 and beyond.
As shown by the previous articles, there are many reasons for this. But why are they converging in the same year, and why have some frankly miraculous things happened against all odds? I always thought Switch had the potential to repeat the history of the original Wii, but I was never certain until it happened, and there are things I never would have guessed in my wildest dreams (Bethesda’s strong commitment, did they make a single game on a Nintendo system before Switch?). Nier went from being a critically-panned example of how JRPGs have cooties in 2010 to a cult classic to… a multi-million seller that already has Square-Enix hiring for its sequel and saying it has franchise potential!? Crash Bandicoot: N. Sane Trilogy became a mega-hit out of nowhere and along with Mario’s triumphant return could easily spark a resurgence in retail platformers. After pleas for SNES Remix were ignored during the dark days, we not only get SNES Classic, but it has a never before released game on it! So many franchises I missed that hadn’t been seen since 2013 or earlier either returned or had games announced in 2017.
So the question is, why? Well, I can’t explain exactly what happened, but I do have a few theories to explain some of it. For the Nintendo stuff, it isn’t hard that hard to figure out. After their big push to turn Wii U around in 2014 didn’t work (E3 2014 just gives me a creepy aura of false hope these days), they went into cocoon mode. The Switch’s formal reveal in 2017 was their chance to come back, to show that they were still the strongest publisher in gaming and that they were not going to become a mobile focused developer (I’ve almost forgotten their mobile games exist in recent months), to prove that they could still make a successful console and that the original Wii wasn’t a fluke. They did it, and achieved things they had been trying for so long that nobody ever expected them to actually happen. Switch didn’t have a post-launch drought, they finally did it! With the delay of learning to make HD games behind them, Nintendo has been releasing and announcing Switch games at a rapid-fire pace. Not only that, there’s been a strong emphasis on giving fans what they had been asking for, which is miraculously working this time. Open world Zelda, sandbox Mario (with enough actual platforming that I’m not upset), Xenoblade and Splatoon sequels faster than anyone thought possible, Metroid Prime 4, mainline console Pokemon. And after I got scared they would minimize platformers because people complained about them on Wii U, they announced a new Kirby and Yoshi at the same E3. Switch is on track to become the best Nintendo system since SNES, and if it keeps it up, maybe, just maybe…
I don’t have as many guesses for the other positive developments, but I have some general theories. Japanese companies as a whole seemed to have trouble adapting to HD, not just Nintendo, so that could explain boosts to companies like Capcom and Square-Enix. PS1 and PS2 nostalgia kicking into high gear could be why Crash N. Sane Trilogy sold so insanely well, and bodes well for Japanese games in general, since they dominated those eras. PlayStation 4 and Xbox One took a while to get going, just like their predecessors, and we’re past that hurdle so their best days have started. I can’t think of much rationalization for long running Japanese series getting so much more western attention all of a sudden, but as long as it’s happening, I’ll gladly take it.
So, there’s my self-therapy session for the day (hey, not like there are tons of readers for me to focus on instead). But I’m not just trying to trick myself into being happy, 2017 really has been an incredible year for gaming in both releases and announcements. No one can ever say for sure what the future holds, but I think we have landed on the bright side of the coin, and hopefully we will stay there for many years to come. We need gaming now more than ever, and 2017 has been more than fulfilling that need.